About

Yoni Tamang is a writer, critic, and performance-maker whose work moves between theory, literature, and live art. They write essays, serial novels, and plays that treat criticism as a creative act, blurring boundaries between scholarship and storytelling. Their performances often stage bodies at the edge of breakdown as sites where politics, care, and aesthetics collide.

Tamang’s writing has appeared in venues ranging from underground magazines, DIY art spaces, experimental theaters, with projects spanning the conceptual, the speculative, and the autobiographical. Their practice draws on queer theory, critical race studies, and feminist philosophy while insisting on lived experience as method. What emerges is not simply “autotheory” but a hybrid form that takes the intimacy of autobiography and the rigor of criticism and places them in friction.